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OSHO Online Library   »   The Books   »   Krishna: The Man and His Philosophy
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Chapter 9: The Cosmos Is a Dance of Opposites

It is not all that we see when Krishna dances with the gopis, the milkmaids, but we can see only that much with our gross eyes. Krishna’s raas with the milkmaids of his village is not an ordinary dance, on a small scale it really represents the universal dance of creation that, since eternity, goes on and on. It epitomizes the everlasting drama of the making and unmaking of the universe. It gives you a glimpse of that divine dance and that immense orchestra.

It is for this reason that Krishna’s maharaas ceases to have a sexual connotation. Not that it prohibits any sexual interpretation, but for certain sex has been left far behind. In reality Krishna does not dance as a mere Krishna, he represents her, the whole of the male element in creation, known in Sanskrit as purusha. And similarly the gopis represent the entire female element, prakriti. The maharaas represents the combined dance of prakriti and purusha.

People who take the maharaas as a sexual representation of life are mistaken; they really don’t understand it. And I am afraid they will never understand it. To put it rightly, it is a dance of the meeting of the male and female energies, of purusha and prakriti. It has nothing to do with any individual man and woman; it represents the mighty cosmic dance.

It is because of this that a single Krishna dances with any number of gopis. Ordinarily it is not possible for a single man to dance with many women at a time. Ordinarily no man can be in love with many women together, but Krishna does it, and does it beautifully. It is amazing that every milkmaid, every gopi taking part in the maharaas, believes that Krishna is dancing with her, that he is hers. It seems Krishna has turned into a thousand Krishnas so that he pairs off with each of the thousand women present there.

It is utterly wrong to take the maharaas, the celebration dance of Krishna, as that of an individual person. Krishna is not a person here; he represents the great male energy, purusha. The maharaas is a representation in dance of the great meeting between male and female energies. But the question is: Why only dance is chosen as a medium for this representation?

As I said this morning, the medium of dance comes nearest to the mysterious, to the non-dual, and to celebration. Nothing can express it better than dance.

Let us look at it in another way. Dance is the most primitive form of human language, because when man had not yet learned to speak, he spoke through gestures. If one man had to communicate with another, he made gestures with his face, his eyes, his hands and feet. Even today a dumb person only expresses himself through gestures. Verbal language came much later. Birds don’t know a language, but they know how to chirp and dance together. Gestures make up the whole language of nature. It is used and understood all over.

So there is a reason why dance came to center stage for the raas, the celebration.

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