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OSHO Online Library   »   The Books   »   I Say Unto You, Vol. 1
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Chapter 1: The Flute on God’s Lips

This is the paradox of christ-consciousness. Christ calls himself many times Son of man, and many times Son of God. He is both: Son of man as far as the body is concerned, Son of man as far as mind is concerned; Son of God as far as spirit is concerned, Son of God as far as consciousness is concerned. Mind is the mechanism of consciousness, just as the body is the abode of the spirit. Mind belongs to body, consciousness belongs to spirit. Jesus is the paradox: on the one hand man, on the other hand God. And when God and man work together, then if miracles happen there is nothing to be surprised about. Miracles happen only when God and man function together in cooperation.

Leo Tolstoy has said: Christ is God and man working together, walking together, dancing together. St. Augustine says: Without God, man cannot; without man, God will not. Christ is the combined operation - the meeting of the finite with the infinite, time and eternity meeting and merging into each other.

An old gardener was digging his plot as the priest came along. “George” said the priest “it is wonderful what God and man working together can do.”

“Yes sir, but you should have seen this garden last year when he had it all to himself!”

Yes, that is true. Man alone is impotent. God also cannot work alone. God alone is potent but has no instrument. Man alone is a hollow bamboo - nobody to create a song on it, nobody to fill it with music, harmony, melody. God alone has the capacity to create a melody but has no hollow bamboo to create a flute.

Christ is the flute on God’s lips. So whatsoever has come from Christ is godspel, is gospel.

Fourteen generations..

“So all the generations from Abraham to David are fourteen generations; and from David until the carrying away into Babylon are fourteen generations; and from the carrying away into Babylon unto Christ are fourteen generations.”

That too is very symbolic. Books like the Bible are not written by ordinary people, they are what George Gurdjieff used to call “objective art.” The Bible is one of the representative objective works of art in the world. It is not like a book written by a Shakespeare or a Kalidas. These people create subjective art. They write something, they write beautifully, they have the aesthetic sense, but they are as unconscious as any other human being. They have a nose for beauty, but they are as sleepy as anybody else. Their works of art are subjective: they express themselves.

But books like the Vedas, the Koran, the Bible, the Upanishads - they are not written by people who are asleep, they are not written as beautiful poetry or prose; they are written by people who know what truth is, who have awakened themselves to truth. Then whatsoever they write is almost like a map. You have to decipher it, you have to decode it, otherwise you will go on missing it.

Why fourteen generations? No scholar has asked it, no biblical scholar has asked it. Why only fourteen? Why not fifteen? Why not thirteen?

This I am giving you as an example of objective art. It is fourteen for a certain reason. It has to be decoded.

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