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Chapter 23: Consciousness is Total, Pure Energy

The painter knows that looking at the beautiful existence is an orgasmic experience. Hence, while the painter is painting, he becomes absolutely nonsexual; he becomes celibate. He is already experiencing orgasmic joy, he need not go into sex at all. Celibacy comes naturally to him.

Thousands of poets and painters and musicians have remained celibate, and with no effort. Monks remain celibate with great effort. Why? The monk is uncreative; in his life there is no orgasmic experience, his mind hankers for the sexual experience. The poet, the musician, the artist, the dancer who is capable of being lost into whatsoever he is doing, is having orgasmic experiences on a higher plane; sex is not a necessity. If once in a while such a person moves into sex, it is not out of need, it is just playfulness, it is simple playfulness. And when sex has the quality of playfulness it is sacred. When it is out of need it is a little bit ugly, because out of need you exploit the other, and out of need it can never take you to the highest orgasmic peak. You remain always discontented somewhere or other, because out of need means there is a motive, there is goal-orientation. There is manipulation, exploitation, an effort to use the other as a means. When you are simply playful, it is totally different.

D.H. Lawrence is right when he says that he experienced God in sexual orgasm. But his sexuality is totally different from the sexuality of the monks. They will not be able to understand Lawrence.

Lawrence was one of the most misunderstood men of this century - one of the most beautiful, one of the most creative, one of the most precious, but the most misunderstood. And the reason is that his experience has a totally different quality. When he is talking about sexual orgasm, he is not talking about your sexual orgasm, he is talking about his sexual orgasm. Only very rare people will be able to understand him. He is a natural tantrika - unaware of the science of Tantra, but he stumbled upon it. Somehow a window has opened in his life; his sensuality is spiritual.

It is not a question of what you do, it is a question of how you do it. And ultimately it is a question whether you do it or you allow it to happen. If you allow it to happen, then whenever there is a creative meeting you will suddenly become a witness. The observer and the observed become one in it - in fact it happens only when they become one.

The second question:

Please say something about the relationship of consciousness and energy.

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