Chapter 13: Krishna Goes to the West
The power of our unconscious mind is enormous; what we cannot do in our conscious state we can do with the help of the unconscious mind. Man’s unconscious mind is much more sensitive than his conscious. What we cannot hear in the conscious state becomes audible to the unconscious. In deep hypnotic sleep you can see things you can never see while awake. It is not the talisman, but the post hypnotic suggestion associated with it that works.
If a person like Krishna, Buddha or Christ is about to leave this world and some of his close lovers or disciples who have been in intimate contact with him, who have imbibed his vibes, request some techniques to contact him after his departure, the master in his compassion can give them such a technique. He can ask them to go into a state of meditation and then tell them that whenever they will meditate on a particular form of his - through a statue or a picture - they will immediately contact him even after his death. This is the esoteric science for which statues of Krishna, Buddha and others like them were first made.
These statues and symbols were specially given to chosen disciples in a meditative state. So your ordinary statues are not going to work, nor can ordinary seekers come in contact with them through these statues. To establish contact with Krishna one will need to have a special symbol and an inner suggestion given to him in his meditative state.
Before persons like Buddha, Mahavira and Krishna, depart from this earth, they leave such techniques and instructions with their most trusted group of disciples; those who are worthy of it. This generation of disciples takes full advantage of this special transmission. And if this generation passes it on to a second generation of disciples, it can work their statues. It was for this purpose that their statues were first made.
To explain this esoteric science I would like you to know something about hypnosis. You must have watched a magician demonstrating his magical plays by the wayside. One of these plays is like this. He makes a boy, who happens to be his assistant, lie down on the ground, and covers him with a piece of thick cloth. Then he puts a talisman on his chest which sends the boy into hypnotic sleep. He then asks him many strange questions, and to the amazement of the spectators the sleeping boy answers them. The magician then moves to one of the spectators and asks him to whisper his name into his ear. The spectator whispers his name so that even the person next to him can hardly hear it, but the sleeping boy immediately relays his name to the whole gathering. The magician moves to another spectator who happens to have currency in his pocket. He asks the boy to tell the note’s number, and he shouts out the exact number. This casts a spell on the gathering, and then the magician tells them it is the power of the talisman that works through his sleeping aide. And he sells a few talismans - which are his only source of earning.
The magician uses hypnosis here, but he lies when he says that it is the power of the talisman. So when you take the talisman home and try it you meet with disappointment. The talisman is absolutely useless, except that it brings the magician some money. The magic really lies in hypnosis. In this case, it is post-hypnosis.