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OSHO Online Library   »   The Books   »   Zen: The Path of Paradox, Vol. 1
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Chapter 4: Learn from the Peacocks

What do I say? I say that the real fight is not a fight at all. Very courageous people are needed to become drop-outs. If many, many people become drop-outs the world will change - there is no other way. I am all for drop-outs. Enough of revolution and enough of revolutionaries! They simply go on giving hope. They are just carrots dangling in front of you. You can never catch the carrot, it goes on moving. It is like a receding horizon - you go on rushing towards it and it goes on receding, and the distance remains the same.

Says Brown: “From politics to metapolitics.” It still remains politics. He calls it metapolitics but just by changing names nothing is changed. If you ask me I will say: “From politics to no-politics” - not metapolitics. From politics to no-politics - only then will you move from politics to poetry.

Poetry is a benediction. Poetry is not in any way concerned with any structure - social, political, economical. Poetry is concerned with existence, poetry is concerned with clarity of vision, poetry is concerned with a meditative state of consciousness. For poetry you have to become meditative, you have to become more celebrating, you have to learn more dancing and more singing, you have to learn the language of joy, you have to become more sensitive. You have to become more alive in your senses - your eyes should see more, your ears should hear more, your hands should touch more. You should become a little more wild again. You should learn from the peacocks how to dance, you should learn again from the birds how to go on singing madly, you should learn from the mountains and the rivers and the sands.

To be poetic one needs to be natural; politics is artificial. Poetry is falling back into nature, losing yourself back into nature. Poetry is dissolving your being into something bigger than you.

Yes, poetry is revolution - and that’s what I am teaching you here. Be poets. I don’t mean become a Shakespeare or a Kalidas or a Rabindranath.no, I don’t mean that. When I say “be poets” I mean become a buddha - because whatsoever you call poetry is just a glimpse of that great poetry which I am talking about, just a glimpse, a fragment. What a Rabindranath comes to see is just a glimpse; it is far away like the Himalayan peaks, far away, thousands of miles far away. The poet has a glimpse of it but Buddha lives there on those peaks.

Rabindranath creates poetry, Buddha is a poet. The difference is tremendous. Buddha may not create poetry - when you are a poet who bothers? Rabindranath creates poetry. He has moments which are so beautiful, moments which are so luminous that when he comes back to the earth they linger - as a nostalgia, a sweet memory, a fragrance. And he wants to put it into words lest he forgets. Those moments are rare, they happen once in a while - otherwise the poet is as ordinary as you are, he is as political as you are. Those moments are few and far between; only rarely is he transported away in a vision. But Buddha lives there, Bodhidharma abides there. For Rabindranath poetry is all activity, for Buddha it is life itself. Rabindranath writes poetry, Buddha breathes it.

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